History of the Bra... extras

"Photography"

What is a fitting title?
Which should be the cover?

"Photography"

aww Sophie, you're so adorable!

"You are my sort of creature" -Robert Capa

We've been waiting for you. {jsl}

Some more favorites.... What should I call you?

Spring Fashion in two movements {jsl}

*semi-edited initial favorites*

Spring Fashion in two movements {jsl}

*semi-edited initial favorites*

History of the Brassiere... {jsl}

Vintage inspired pointy floral bra, 1970s?

'Hi-A by Marja' - Saks Fith Avenue, 1960s

*please click to view full size*

STIR Magazine Model Call

email your photo to JesacaLin@gmail.com

SUBMIT to STIR! the official poster... {jsl}

Submit to us!

STIR wants you to flaunt your assets...

Being Hardcore... {jsl}

Scouting locations for STIR Magazine's spring fashion spread

(I can't tell you where we were, so please do not ask)

I wasn't prepared. I knew this because I left my wide angle lens, forgot to recharge my battery and showed up with a shoulder bag. Despite all of this I survived the surreal adventure I've fantasized about but never had enough courage to accomplish. Though I do value my paranoia and the decision to never go it alone. With a new friend's expertise I infiltrated a historically rich abandoned institution building dating back to the 1800s. After crawling through a window and then confronting a pitch black basement, I had thoughts of being touched by supernatural beings. That was just me, of course.

On another note, I love shooting on location. Though this might be the toughest shoot I have ever done because it needs extensive planning. I need a cohesive wardrobe, a brave unique model(s), an easy entrance and ultimately a vision with strong aesthetics. The fact that this is my last semester has given me a weird sense of freedom to experiment. Thus, perhaps Polaroids of eerie/cute doll-like models in unnatural positions?

My encounter with the secret service... {jsL}

Chelsea Clinton visits Clark

The most interesting was not her speech but: 1. My dual loyalties toward STIR and Worcester Magazine on this shoot. Certainly the level of freedom of expression and creativity was not the same. 2. My interactions with the secret service. I wonder how they assess risk because I was pulled aside and questioned (lightly)...

{I love noticing the different unconscious gazes and expressions in a photo}