Tuesday, April 29

inner necessity

Bathroom
-From series Home, Sweet Home


Jesaca Lin

Home, Sweet Home…


…Mid pleasures and palaces though we may roam,
Be it ever so humble, there’s no place like home.
Sir Henry Bishop



Home, Sweet Home addresses perceived sociological and psychological effects of poverty on the development of a particular family through the use of photography. Often, family members are our first subjects and we photograph them because of familiarity and proximity. However, the flaws that are seemingly inherent in every family will inevitably surface within the photographs, making such projects one of the hardest for the same reasons. For this project the viewer is introduced to a family and a childhood. Through the selective use of deep shadows; dilapidation; and uniformity of structures, my anxiety as spectator and participant is conveyed. Jonathan Lin is experiencing his childhood before my eyes and the shocking differences between our childhoods became the motivation for this project. I recognize that home can be located in different physical spaces because I’ve experienced relocation. For Jonathan this is the only home he knows.

Photograph taken by Jesaca Lin at the age of 7, Brooklyn, NY.

[Kandinsky, Spiritual in Art]

Saturday, April 19

Complete artistic freedom feels like a warm summer breeze...
SURV community picnic.


My muse and I don't even know her name

Tuesday, April 1

I don't like you right now
[ Polaroid as Therapy ]

I don't like my tired self, my antisocial self, my mediocre self and my inability to be satisfied with my work, Ever! self. Oh where art thou little novelties of life? My mind deserves at least a few hours of jollification in a metaphysical playground some where far far away...



Undercover

Back to the family project... Sometimes I think if I can paint, a lot of my photographs would and could become paintings. Now what does that say about my work and my relationship to photography?